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Taking words like these to heart, Lady Gaga got choked up a few times during the interview, stopping once to collect her composure. “It’s a wonderful art form, to be spontaneous and just think for the moment. (Their track together - “The Lady Is a Tramp,” inevitably - led off the album, which won a Grammy Award in the traditional pop vocal category.) “The thing I love about being a jazz artist is: It never becomes dated,” Mr. Bennett, for his part, reiterated the opinion he has publicly held since 2011, when he heard Lady Gaga sing a standard at a charity benefit and promptly invited her to appear on his album “Duets II” (RPM/Columbia). I want everyone in the room to kind of feel the same, all at once, together.”
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What I do with my music is a little different. It feels like he’s talking to you, not the person sitting next to you. “He’s always having this intimate conversation with the whole room. “I sit in the back of the theater and watch him, to be inspired and to learn,” she said. Bennett, Lady Gaga variously struck the tone of an awed admirer and a grateful peer. Lady Gaga.”)Ĭharacterizing her experience with Mr. They were still dressed for television - he in a navy suit, she in a tawny robe and Cleopatra makeup, with a single dark braid over one shoulder - during an hourlong interview at 30 Rockefeller Center, in a dressing room usually reserved for musical guests on “Saturday Night Live.” (Among the glossy photographs arranged on the walls was one bearing this inscription: “SNL. The image, signed “Benedetto,” was of a trumpet with a mute, à la Miles Davis.) (Lady Gaga showed off a new tattoo on her biceps, based on a sketch given to her by Mr. They’d appeared on NBC’s “Today,” announcing the album and trading encomiums. It had been a productive morning for the singers, born Anthony Benedetto and Stefani Germanotta, both products of New York City.
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“I mean, I was telling Tony, ‘Can you imagine if you had the career that you’ve had, but for the first 10 years you couldn’t sing out?’ I wasn’t using my instrument to its full capacity.” Glancing at Mr.
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“I think it’s just much truer to my nature to sing this way,” Lady Gaga said the morning after the PBS taping. Up close and in person, that suspicion gets softened, if not entirely dispelled, by the affectionate rapport between the singers and by their earnest exaltation of the songbook and its attendant jazz style. It also suggests a determinedly classy reboot for Lady Gaga, whose most recent solo release, “Artpop,” fell short of her usual blockbuster standards, delivering no transcendent single on the level of “Bad Romance.” From a distance, the collaboration can look like a tactical maneuver for both artists. Bennett, probably more than anyone, knows all about. The album, due out Tuesday on Streamline/Columbia/Interscope, represents the latest pop dalliance with the Great American Songbook, something Mr. Accompanied by a big band, a combo and an orchestra, with set and lighting design by the director Robert Wilson, they made the concert into a full-dress preview of their plush new album, “Cheek to Cheek.” Bennett, who turned 88 last month, and Lady Gaga, 60 years his junior, had set up shop at the Rose Theater one night this summer to tape a forthcoming episode of “Great Performances” on PBS.
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Bennett stood and watched the changeover, one hand resting on the curve of a grand piano, before his gaze turned to the audience, at which point he tossed off a deadpan line: “I can’t wait to get back in show business.” Then she tottered off for her fourth costume change in six songs, leaving several stagehands to contend with the chair. Moments earlier, he’d been singing the Tin Pan Alley tune “Goody Goody,” while Lady Gaga - polymorphic pop star, supersize cult hero and, for the moment, his co-headliner - muttered coquettish protestations from an enormous rocking chair, cartoon-chic in a pink cocktail dress, a wide-brim black hat and satiny opera gloves. Tony Bennett was waiting, in a Brioni tuxedo and an uncertain silence, onstage at Frederick P.